Recordeu que es poden pujar les aportacions als sexennis de l'ANECA al repositori institucional, sense necessitat d’esperar que s’òbriga la convocatòria. Fer-ho amb antelació pot evitar imprevistos tècnics i facilitar la gestió. Articles: S’han de dipositar mitjançant la passarel·la GREC/RODERIC. Llibres, capítols de llibre o dades de recerca: S’han de dipositar directament a través de RODERIC. ________________________________________ Recordad que se pueden subir las aportaciones a los sexenios de la ANECA al repositorio institucional, sin necesidad de esperar a que se abra la convocatoria. Hacerlo con tiempo puede evitar imprevistos técnicos y facilitar la gestión. Artículos: Deben depositarse mediante la pasarela GREC/RODERIC. Libros, capítulos de libro o datos de investigación: Deben depositarse directamente a través de RODERIC
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La (auto)censura en audiodescripción. El sexo silenciado

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Audio description (AD) is an emergent audiovisual translation modality which aims to provide accessibility to blind or visually impaired people. It often conditions (and even determines) the mental image the receptor is building when watching a film. Sex must also be described when present in a film. Since sex is traditionally considered a taboo topic, the AD is a huge challenge for the describer. The describer is often tempted to self-censor the sexually explicit scenes that may cause discomfort in the receptors. Our study focuses on a preliminary descriptive analysis of the AD of sex scenes in nine films dubbed into Spanish. Following a descriptive methodology, we evaluate the sexual references present in the film and determine the translation techniques used to describe sex. By doing so, we analyse the alterations, reductions or even omissions made by the describer. As we will see, more than 50% of the sexual references have not been duly conveyed to the receptor, and as a result there is a lack of information for the blind or visually impaired.

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Sanz-Moreno, R. (2017). La (auto)censura en audiodescripción. El sexo silenciado. Parallèles, 29, 46-63. https://doi.org/10.17462/para.2017.02.04

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Université de Genève

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