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Language Kamchatka : revista de análisis cultural. 2018. No. 12
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Kamchatka : revista de análisis cultural. 2018. No. 11
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- Campo literario y reconstrucción democrática. dos poéticas estratégicas y una interpelación en la poesía chilena(2018) Picornell Belenguer, MercèThis paper deals with the transformations that occur in those sectors of the literary field involved in processes of democratic reconstruction. More specifically, it regards the relationship between poetic and political strategies in the Chilean context of the first decade of the dictatorship, a period whose beginning in the military coup d'etat of September 11 (1973) involves a political and symbolic fracture that will be represented in different creative and critical works. It proposes a brief approach to two opposing strategies: the one that tries to reestablish continuity links ?using the anthology as a genre? and the one that proposes an experimental and public performance of the fracture. Moreover, the paper closes with the mention of an alternative and less visible model of political poetics, referred to the interpellation of the reader. These are contradictory strategies that coexist in the Chilean poetry of the period and allow us to reflect on the fissures of the political function attributed to poetry.
- El mito universal. Reconstrucción y deconstrucción de la identidad indígena en ?Relatos de El Viejo Antonio? del Subcomandante Marcos(2018) Baxmeyer, MartinEsta contribución propone analizar el uso y la función política de los mitos en ?Relatos de El Viejo Antonio? de Subcomandante Insurgente Marcos. Concentrándose en los motivos míticos de la lluvia y la actividad de fumar (ambos muy importantes en los ?Relatos?) va a ilustrar que Marcos tanto utiliza tradiciones mitológicas de la cultura indígina como narraciones mitológicas de la tradición clásica europea a fin de crear un nuevo lenguaje mítica transnacional. Los Zapatistas proponen este lenguaje como alternativa al discurso tecnocrático y excluyente de nuestros días. Al mismo tiempo, la conversión mitológica de Marcos deconstruye y reconstruye conceptos tradicionales de la identidad indígena en México y los abre para la idea de una comunicación libre y global, reafirmando al mismo tiempo su gran valor para una sociedad futura.
- La identidad Neozapatista como proceso comunicativo(2018) Bellido Peris, FedericoThis article studies the speech and the political action of the Zapatista movement, considering both as a communicative practice that is articulated among a plurality of uses and ?cultural matrices? (Martín Barbero, 1987) in what has constituted the Neozapatista social subject. Firstly, the discursive aspects of the Zapatista statements are reviewed, with their narrative strategies, key representations and conditions of reproduction. Secondly, an emphasis is made on the systematic study of its political-media trajectory throughout its already long history, analyzing the conventions, the encounters and other Zapatista actions and political initiatives. The results offer an overview about the identity construction of a social subject of polysemic nature that forges itself to the heat of a communicative process that lies with a plurality of groups and individuals of various nature.
- 'El realismo social en España. Historia de un olvido', de David Becerra Mayor(2018) Cano Vidal, Borja
- La rebelión zapatista : productividad y resistencia culturales(2018) Vanden Berghe, KristinePresentación del monográfico.
- La importancia del comienzo : Louis Althusser, la crítica de la ideología y el zapatismo(2018) Ortega Reyna, JaimeEn el presente texto se aborda la importancia del ?althusserianismo? en la conformación de la ideología del ?Subcomandante Marcos?. Se destaca el contexto de producción en el que irrumpe la obra de Althusser, sus distintas derivas en el México de los años setenta y finalmente se abordan las perspectivas que confluyen en la crítica de la ideología y la superación de las tradiciones de entender el marxismo. Todo ello con la finalidad de mostrar que entre las diversas raíces que tiene la ideología zapatista, el ?althusserianismo? opera como una crítica del Estado y también de la izquierda marxista.
- 'Desapariciones : usos locales, circulaciones globales', de Gabriel Gatti (ed.)(2018) López Ruiz, Daniel
- El caracol y el escarabajo. Una tensión entre ideología y forma en la producción literaria del EZLN(2018) Vanden Berghe, KristineEn este artículo, nos centraremos en la relación entre ideología y forma en torno al alzamiento zapatista en Chiapas y, más específicamente, a los relatos del Subcomandante Marcos sobre uno de sus personajes, Durito. Para ello, partiremos de la aproximación teórica al concepto de aceleración propuesto por el sociólogo alemán Hartmut Rosa (2005) y la vincularemos al pensamiento del sociólogo y filósofo británico-polaco Zygmunt Bauman (2000), un pensador que ejerció una gran influencia en Rosa, y al del filósofo francés Gilles Lipovetsky (1983), quien, como Rosa y Bauman, analiza el nexo entre la posmodernidad y el tiempo. En primer lugar, destacaremos aquellos aspectos del alzamiento zapatista que son relevantes en relación a la teoría de Rosa, la cual sintetizaremos en un segundo apartado. A continuación, realizaremos una lectura analítica de las narraciones escritas en torno al personaje del escarabajo Durito a la luz de esta teoría y propondremos algunas reflexiones sobre el modo en que ideología y forma dialogan en ellas.
- Cuerpos, mujeres y embarazo en imágenes online. Fotografías en álbumes privados y en campañas del Ministerio de Salud de la Nación en Argentina(2018) Schwarz, Patricia Karina NataliaThe aim of this article is to analyze interviews to 30 women from 21 to 40 years old from middle and low socioeconomic sectors and a corpus of their photographs published online in the process of their pregnancy, putting it in dialogue with the online photographs about health care campaigns in pregnancy of the National Ministry of Health in Argentina. We are interested in analyze this cutout of reality, that place where people want to throw light, which implies the photography; especially to be able to identify, analyze and understand what is left out of that cutout, what is intended to be invisible. Our research findings shows that it is a process of fragmentation and hierarchization of the mother's body ?in privilege of the subject in the womb- respect to the female subject that develops it?, as well as the hegemony of the individuation of the responsibility of health care; in other words, the hegemony of modern and neo-liberal patriarchal and individualist values.
- Beau Geste Press : a liminal communitas across the new avant-garde(2018) Pujol Duran, JèssicaIn this article I will examine how a few Latin American avant-garde artists and poets in exile became part of Fluxus, an international constellation of artists whose ideas revitalised the concept of the avant-garde after the war. This constellation became an active collaboration through the makings of the Beau Geste Press, founded in Devon (UK) in 1971 and active until 1976. The press, co-founded by Felipe Ehrenberg, Martha Hellion and David Mayor, not only published and disseminated the work of Cecilia Vicuña, Ulises Carrión, Claudio Bertoni, and Ehrenberg himself, but also operated as ?a community of duplicators, printers and craftsmen? that replaced the concept of individual creation with a practice of communal production. I will refer to Victor Turner?s concept of liminality to contend that the Beau Geste Press, which represented the beginning and end of this communitas, developed in a space that was liminal on different levels: at the level of the subjective experience of exile; of artistic production, which can be inferred from their emphasis on procedural techniques over finished artistic products; and at the level of language, because they are Spanish-speaking authors in England, who turn that potential problem into hybrid forms.
- Una crónica y sus huesos : del testimonio al cuento de guerra (al cielo vestida de novia te vas)(2018) Nofal, RossanaEl artículo propone una lectura del corpus de la narrativa latinoamericana actual en clave de tensión entre escritura y violencia organizada en dos modulaciones posibles: una serie vinculada a las narrativas de la violencia política y emparentada con las formas testimoniales de la represión, la militancia y los relatos heroicos sobre las acciones revolucionarias y una narrativa ?sin heroísmos? vinculada a la violencia de las ciudades contemporáneas asediadas por la pobreza y el narcotráfico. Si el primer grupo prefiguraba una utopía emancipatoria, el segundo expone el desencanto de los proyectos libertarios. Las modulaciones de la violencia se han inscripto en modos narrativos diversos y con espesor contradictorio. Crónica de los hechos y ficción testimonial se entrecruzan con límites difusos a la vez que organizan dos modos de lectura del corpus: los cuentos de guerra y las ficciones de exclusión.
- Los tzánticos amenazan la ciudad : la performance poética de la indig-nación en el Ecuador moderno(2018) Gonzalez Granja, JuanIn this article I analyze the first public performance of the Ecuadorian Tzántzico Movement (1961-1968), ?Cuatro gritos en la oscuridad? (?Four Howls in the Dark?), as well as the most representative gesture of the movement, Humberto Vinueza?s poetry book Un gallinazo cantor bajo un sol de a perro (A Singing Vulture under a Worthless Sun). The Tzántzicos ??head-shrinkers?? sought to confront the capitalist social order through the persuasive character of their destabilizing, politically-engaged poetic performance. Through analysis of their first recital, I elucidate the movement?s insolent and patricidal spirit and how it questions the elitist cultural politics of State institutions. I highlight how Vinueza?s readings and re-readings of history trouble official historical narratives of the nation-state. By examining the Tzántzicos' iconoclastic poetic performance, I demonstrate how this generation of poets modernized Ecuadorian poetry as well as the figure of the politically-engaged or public intellectual in the face of power.
- 'Coplas para sobrevivir. Conchita Piquer, los vencidos y la represión franquista', de Stephanie Sieburth(2018) Encabo Fernández, Enrique
- Artes, ciencias y saberes neozapatistas. Nacer desde abajo el nuevo mundo no capitalista(2018) Aguirre Rojas, Carlos AntonioEste ensayo intenta reconstruir la innovadora y original concepción que el movimiento neozapatista mexicano tiene, de la fundamental dimensión de la actividad humana del arte. Resituando la iniciativa neozapatista de los Festivales del 'CompArte por la Humanidad' dentro del proyecto mas global del neozapatismo actual, el texto trata también de mostrar las coincidencias de los planteamientos neozapatistas sobre el arte, con algunas profundas tesis de Marx, de Walter Benjamin y de Michel Foucault sobre este mismo tema.
- ?Stanislavski es Stalin? : teatro, experimentación y política en la última dictadura militar argentina (1976-1983)(2018) Manduca, RamiroIn 1975, the Partido Socialista de los Trabajadores (PST), of Trotskyist orientation, had turned into a clandestine organization and part of its leadership had gone into exile in Colombia. At 1977, under the military dictatorship, a group of people connected to the party conformed the Taller de Investigaciones Teatrales (TIT). In this paper internal documents of the organization will be analyzed whit the purpose of reflecting about the way in wich the labour of the party in the theatrical field was gestated, researching the experimental character of its aesthetics and, at the same time trying to explane the tensions and different conceptions about of the link of the theatrical groups with the party. For the latter, the already mentioned interviews with some of the members will be added to the documents.
- ?Rompiendo la piñata del Mundial?. Los usos de la fiesta en montajes teatrales, recitales y acciones callejeras durante la última dictadura cívico-militar argentina(2018) La Rocca, MalenaIn the midst of the closure of the public space, marked by the last Argentine civic-military dictatorship (1976-1983), ephemeral festive spaces were created, of enjoyment of the body through dance and music. This article adopts Jacques Rancière's notion of aesthetic efficacy - understood as the distance between the artist's intention, the resources he uses, the viewer's gaze and the state of a community - to analyze the senses that emerge from different alternative festive manifestations promoted by the military regime. For this, the following groups are studied: Escuela de Mimo Contemporáneo and the Taller de Investigaciones Teatrales, of Buenos Aires; Grupo de Arte Experimental Cucaño, from Rosario, and the rock band Patricio Rey y sus Redonditos de Ricota, from La Plata. The strategies that these groups deployed to elude the surveillance of the military regime and how in their artistic practices emerged the festive rituals as a collective space between the public and the private that reconfigured the possibility of being together, are investigated.
- Jaime Torres Bodet y las pedagogías masculinas : educación, homosociabilidad y biotextualidad en México (primera mitad del s. XX)(2018) Zabalgoitia Herrera, MauricioIn this work the figure of Jaime Torres Bodet is cartographed from a strong sex/gender perspective, and as an exemplary life, taking as an starting point a broad notion of education as a framework, what it means: culturally, literary and from social and daily life. Thereby a radiography of a biographical possibility as a textual body is carried out. This is what we called biotextuality. From this notion a dialogue is undertaken with literate culture and education in Mexico, added to recent versions of historiography, the idea of autor and a interspersing with the work of Judith Butler on the regulation of gender. In this process gender is proposed as the "hidden end? of historiography, and the powers of new caballeros de las letras are approached. And with the life of Torres Bodet as a vehicle (from his childhood to the first and second youth) we observe the reinforcement of homosocial spaces and networks, both national and international; of their poses, ideals, places and sex-cultural practices; of the uses and scope of the masculine world and the definitions of Man and the men. Finally, the biotextuality of the Mexican educator, poet and intellectual is read as a version of the "masculine pedagogies". This means: devices of education and representation whose its function is to build and negotiate the definitions of the characters of modern life.
- 'Género, memoria y cultura visual en el primer franquismo. (Materiales cotidianos, más allá del arte)', de María Rosón(2018) Real López, Inmaculada
- Experimentación poética y contracultura en contextos dictatoriales ibéricos y latinoamericanos : (1960-1990): colectivos, acciones y reacciones(2018) Picornell Belenguer, Mercè; Parra Moyà, Maria VictòriaPresentación dossier.
- Poéticas experimentales en la resistencia cultural vasca : 'Isturitzetik Tolosan Barru' (1969)(2018) Retolaza, IratxeAfter many years of repression and silence, popular movements arose during the 60s and 70s, which established the basis for a social and cultural net and contributed to the settling and reconfiguring of the Basque cultural community. This paper offers an approach to that particular sociocultural context by analysing the first artist?s book to be ever published in Basque: Isturitzetik Tolosan barru (Itxaropena, 1969), by JosAnton Artze. In order to understand the context in which that book of poems emerged and its contribution to experimental poetry, this paper presents the collective and participatory dynamics which led the book?s appearance and analyses the ways in which experimentation materializes throughout it. In this context, the poems are analyzed textually and contextually, focusing on its sonorous, visual and architectural dimension. Finally, the conclusions reflect on the position that this poetic work has acquired in Basque literary historiography.
