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Language Ars longa : cuadernos de arte. 2017. No. 26
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- Barreiro López, Paula. Avant-garde Art and Criticism i Francoist Sapain(2017) Frasquet Bellver, Lydia
- González Sánchez, Carlos Alberto. El espÃritu de la imagen. Arte y religión en el mundo hispaánico de la contrarreforma(2017) Doménech GarcÃa, Sergi
- Méndez Baiges, Maite (ed.). Arte escrita. Texto, imagen y género en el arte contemporáneo(2017) Valle Corpas, Irene
- Isac, Angel. Eclecticismo y pensamiento arquitectónico en España. Discursos, revistas, congresos(2017) Benito Goerlich, Daniel
- González Ramos, Roberto. La aldehuela de Torrelaguna. Granja, colegio, residencia de la Universidad sw Alcalá(2017) Sánchez Muñoz, David
- Paz Gago, José MarÃa. El octavo arte: la moda en la sociedad contemporánea(2017) Puerta Escribano, Ruth de la
- Molina, Alvaro (ed.). La historia del arte en España. Devenir, discursos y propuestas(2017) Arciniega GarcÃa, Luis
- Cámara Muñoz, Alicia (ed.). El dibujanta ingeniero al servicio de la monarquÃa hispaánica. Siglos XVI-XVIII(2017) Serra Desfilis, Amadeo
- Arciniega GarcÃa, Luis (coord.). ElÃas Tormo, apóstol de la historia del arte en España(2017) de Tena RamÃrez, Carmen
- Villar Movellán,, Alberto; López Jiménez, Clemente M. (eds.), Arquitectura y Regionalismo(2017) Arciniega GarcÃa, Luis
- MÃnguez Cornelles, VÃctor Manuel; RodrÃguez Moya, Inmaculada (eds.). Visiones de pasión y perversidad(2017) Sánchez López, Juan Antonio
- Pérez Rojas, F. Javier; Alcaide Delgado, José Luis, Antonio Fillol Granell (1870-1930). Naturalismo radical y modernismo(2017) Reyero Hermosilla, Carlos
- Fernández Rojas, Matilde. La colección pictórica del Ayuntamiento de Sevilla(2017) Gil Salinas, Rafael
- Violencia y control de la imagen. La identidad femenina en la obra de Ana Mendieta(2017) D. Rivero Moreno, LuisIn the society of information, images of violence are multiplied until they make the reflection about them complicated. This research proposes to recover the work of the artist Ana Mendieta. Her art, as opposed to the ways used by the mechanism of power, appears as a tool to face gender-based violence from an artistic and personal point of view. Thus, using the main currents of gender studies theory in contrast to the work of the Cuban artist, the possibility of the exhibition of body and violence it is described through body art and performance. Thereby, women achieve a search mechanism for identity, creating their own image and showing social problems usually silenced by the patriarchal power, engaged in ascribing them to a non visible private realm.
- "Ut pictura movens poesis": Análisis transversal de la obra de Bill Viola y Terrence Malick(2017) Sanz MartÃn, CristinaThe work of the video artist Bill Viola and the film director Terrence Malick has not been interrelated thus far. But this research will prove that the significant parallelisms about the poetic treatment of the image, the conceptual basis and the philosophical background are not the result of a mere coincidence. Worries about topics conforming both author?s worlds of fantasy, as well as audiovisual sources, are in both cases entirely similar.
- La guerra interminable. La conquista del oeste como modelo cultural de la guerra contra el terror(2017) Pérez Ochando, LuisThis paper explores the cultural representation of American Indian Wars as a precedent of the arguments that legitimized the War on Terror after 9/11. Our goal will be to analyse the film narratives about the American Indian Wars as a culturally internalized ideological pattern that reemerges as a response to newer conflicts. More specifically, we will focus on two main aspects of westerns: the philosophy of Manifest Destiny and the representation of otherness, two ideas that help to explain how dominant ideology answered the 9/11 terrorist attacks.
- El Departament d?Història de l?art de la Universitat de València en el curso 2016-2017(2017)Se enumeran los aspectos docentes más destacados relacionados con el Departament d?Història de l?Art de la Universitat de València en el curso académico 2016-2017, asà como las contribuciones investigadoras de sus miembros en el año 2016 y otros aspectos de interés relacionados con la difusión y gestión del citado departamento universitario.
- La gestión documental como soporte discursivo de la memoria histórico artÃstica del museo. Los museos de bellas artes del PaÃs Vasco como caso de estudio(2017) Castañer López, XesquiThe relationships between collecting, art and society are based on the ability of the artistic work to communicate with the viewer. This communication comes from the exhibition of the artistic work inside the museum. Sooner or later, the artistic work generates documentary information that becomes the memory of the museum materialized in the different typologies of catalogs. Documentary management and its ability to create a historical narrative is the objective of this paper, using the Basque Fine Arts Museums as a case study. Basque autonomy began with the 1979 Statute of Autonomy and, later, with the internal jurisdictional delimitation of the Territorial Territories Act of 1983, the three Basque provincial institutions consolidated the autonomous cultural management in their respective territories. Both events directly influenced the increase of the museum funds and the artistic literature that they generated. Documentary management and memorandum of the Basque museums, has materialized in the production of catalogs, whose textual typologies and categorizations have been decisive in the construction of an autochthonous artistic memory, very influential in the development of the history of national and local art.
- Figuras del desarraigo: los ciclos Caminantes e Hilaturas de VÃctor Mira(2017) Cortés Santamarta, DavidThe present text analyses the iconography of two cycles of works created by the Spanish artist VÃctor Mira (1949-2003) throughout the first part of the 1980s. The tortured condition of the figures not only transmits the existential unrest of the author, but also includes allusions to the two cultural traditions, German and Spanish, where Mira developed his creative work. Due to the dramatic intensity and symbolic density of his artistic language and his resolute use of the pictorial medium to reflect around one?s identity and contemporary history, VÃctor Mira?s work, defined within the so-called Neo-Expressionist movement which dominated European painting in those years, is close to the work of German painters, such as Baselitz, Kiefer, Penck or Immendorff.
- La relación entre la Casa Roger de Figueres y las pinturas de Salvador Dalà realizadas en 1929(2017) Borrás Espinosa, MarcThe presence of a big grasshoppers in certain Salvador Dal�s paintings has been explained iconologically as the result of his phobia. The origin of this insect is located in the painter?s subconscious, being an advance of his paranoid-critical method. However, a study of the buildings on Monturiol Street, where he lived his childhood and youth, unreil a particular origin of this orthopteran, revealing the conscious use of the elements present in his paintings.
