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Language Caplletra : Revista Internacional de Filologia. 2002. No. 33
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- Teatre sense parets.: A propòsit de les noves dramatúrgies al carrer(2002) Piquer Vidal, AdolfThe author applies the methodological basis of the theatre in the street to the theatrical approaches and the particular performances of Vila-Real’s group Xarxa Teatre. Particularly, he emphasises two factors: the split of the “Italian box” space and its consequences for actors, receivers and technology.
- Convivència de codis al teatre de Joan Brossa(2002) Meseguer, LluísThis article supports the importance of the relationship between verbal and visual codes in the analysis of specific sequences in the “scenic poetry” works by Joan Brossa. Thus, it evaluates examples of particular texts that reveal the multiplicity of theatrical registers and techniques, with regard to the procedures of character- or situation- building and the breaking of the communicative conventions.
- Redacció, de Quim Monzó, i dues de les seues versions cinematogràfiques(2002) Alonso, VicenteThe author analyses the parallel components of the brevity parameter between the written and the film narrative, and, at the same time, the languages autonomy that each one involves, starting from the specific performance option in two versions of the tale Redacció (‘Composition’) by Quim Monzó.
- Teatralitat i poesia en Vicent Andrés Estellés : variacions escèniques sobre L'Espill(2002) Vellón Lahoz, JavierThe article analyses several reading and dramatisation performances of Estellés’ texts, taking into account the dialogue as an ideological construction and the scenographical dimension as an explanation or reinforcement of the author’s unchanging poetics: the reflections about the identity, the body and the objects.
- Fragments experimentals per a una teoria de l'espectador(2002) Tordera Sáez, AntonioBy means of an elliptical reflection in an experimental-noted format, the author proposes a series of communicative and pragmatic elements of reception as a way to define the relationships between the dramatic play and the audience in the performance.
- La literatura catalana i el cinema(2002) Pérez, XavierThis article offers a historical summary of the relationship between the Catalan narrative and dramatic literature, and their film versions from the beginnings of the cinema in Catalonia, going through the Franco period, the proposals of the poetic avant-garde and the cultural recovery of the 1980s, to the current narrative and non-narrative genres, in which the trend is to trascend the audiovisual “version” with an autonomous film conception.
- Els codis de significació no verbal en el cinema: La incidència del codi de mobilitat en les operacions de traducció(2002) Chaume Varela, FredericApplication of the experience of the Translatology and the Discourse Analysis to the film translation, and particularly, to proxemics, kinetics and gestures elements, essential for the control of the isochrony between iconicity and verbality in the dubbing process.
- Teatre, cinema i televisió, l'ús del diàleg(2002) Sirera, RodolfThe author looks into the common elements in the format-related writing and attends to the pragmatic signs of the professionalisation of the script-writing, mainly in such a culture as the Catalan one. The given examples refer to the dialogue’s functions as for the narrative plot construction and the transmission of contents.
- Literatura catalana i llenguatges de l'espectacle: una presentació(2002) Meseguer, LluísIntroducció al monogràfic
