Studia philologica valentina. 2019. Número 21

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    A. BARTOLOTTA (ed.), The Greek Verb. Morphology, Syntax, and Semantics. Proceedings of the 8th International Meeting on Greek Linguistics, Agrigento October 1-3, 2009, Peeters, Louvain-la-Neuve, 2014. [ISBN 978-90-429-27-22-3] [Reseña]
    (2019) Perdicoyianni-Paléologou, Hélène
    Reseña de: A. BARTOLOTTA (ed.), The Greek Verb. Morphology, Syntax, and Semantics. Proceedings of the 8th International Meeting on Greek Linguistics, Agrigento October 1-3, 2009, Peeters, Louvain-la-Neuve, 2014. [ISBN 978-90-429-27-22-3]
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    M. SEBASTIÀ SÁEZ, El mito del sacrificio virginal en el seno de los jesuitas. La Ifigenia en Áulide de Manuel Lassala, Sar Alejandría Ediciones, Castelló, 2017. [ISBN 978-84-947973-5-4] [Reseña]
    (2019) Redondo, Jordi
    Reseña de: M. SEBASTIÀ SÁEZ, El mito del sacrificio virginal en el seno de los jesuitas. La Ifigenia en Áulide de Manuel Lassala, Sar Alejandría Ediciones, Castelló, 2017. [ISBN 978-84-947973-5-4]
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    J. GARCÍA DE VARGAS, La Antibrocensis crisis. Introducción, edición crítica, traducción y notas de Mª Luisa Harto Trujillo, Grammatica Humanistica [Reseña]
    (2019) Pérez Custodio, María Violeta
    Reseña de: J. GARCÍA DE VARGAS, La Antibrocensis crisis. Introducción, edición crítica, traducción y notas de Mª Luisa Harto Trujillo, Grammatica Humanistica. Serie Texto
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    J. M.a NIETO IBÁÑEZ, Historia antigua del cristianismo, Síntesis, Madrid, 2019, 265 pp. [ISBN: 978-84-9171-314-2] [Reseña]
    (2019) Narro, Angel
    Reseña de: J. Mª NIETO IBÁÑEZ, Historia antigua del cristianismo, Síntesis, Madrid, 2019, 265 pp. [ISBN: 978-84-9171-314-2]
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    M. A. CORONEL RAMOS, Juan Luis Vives. El humanista y su entorno, Institució Alfons el Magnànim, Valencia, 2017. [ISBN 978-84-7822-702-0] [Reseña]
    (2019) Fernández Requena, Pedro
    Reseña de: M. A. CORONEL RAMOS, Juan Luis Vives. El humanista y su entorno, Institució Alfons el Magnànim, Valencia, 2017. [ISBN 978-84-7822-702-0]
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    A. PETROVA, Funerary Reliefs from the West Pontic Area (6th-1st Centuries BC), Colloquia Antiqua 14, Peeters, Leuven - Paris - Bristol, 2015, 312 pp. [ISBN 9789042930889] [Reseña]
    (2019) Perdicoyianni-Paléologou, Hélène
    Reseña de: A. PETROVA, Funerary Reliefs from the West Pontic Area (6th-1st Centuries BC), Colloquia Antiqua 14, Peeters, Leuven - Paris - Bristol, 2015, 312 pp. [ISBN 9789042930889]
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    Onomatopeya, imitación y poesía en Grecia y Roma
    (2019) Redondo Reyes, Pedro
    A partir de Platón se desarrolla en la reflexión gramatical y filosófica griega la idea de que ciertos vocablos tienen un origen onomatopéyico, tomándose como modelo de su uso (tanto por su conveniencia como por su condena) su aparición en el epos homérico. Mientras la filosofía vinculará tales palabras, entendidas como onomatopeyas, al origen del lenguaje, los autores de poética y gramática las estudiarán como elementos significativos en la valoración estética de la poesía. La doctrina griega sobre la onomatopeya pasará, a su vez, a las letras latinas.
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    Las cuatro muertes de Cleonice: poder, sexo, violencia y fantasmas
    (2019) Sánchez Mañas, Carmen
    Greek tradition links the death of regent Pausanias of Sparta with ghosts. In this paper, we focus on the well-known episode that revolves around Pausanias himself and a Byzantine maiden and is transmitted by Aristodemus, Plutarch and Pausanias Periegetes. The multiplicity of versions demands a comparative analysis, which we carry out taking into account the three spaces where the narrative action takes place (civic, intimate and ritual spaces). Results indicate a concordance between Plutarch and Pausanias Periegetes, as well as a dissonance between them and Aristodemus. This difference especially affects the narrative treatment of the maiden, a ghost properly so-called in Plutarch and Pausanias Periegetes, but not in Aristodemus.
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    Sobre la identidad y procedencia del poeta Filóxeno y la autoría del ditirambo
    (2019) Juan-López, Juan B.
    El presente estudio pretende resolver la controversia en torno a la identidad y procedencia del poeta Filóxeno, célebre ditirambógrafo del siglo V-IV a.C. Para ello, hemos recopilado todos los testimonios que citan a personajes con el nombre de Filóxeno desde la primera mención de Aristófanes. La investigación ha revelado que existen varios individuos con el mismo nombre y rasgos comunes. No obstante, el examen de estos testimonios revela la existencia de un único autor de ditirambos: Filóxeno de Citera. Además, creemos que este poeta fue el autor del ditirambo ???????, que algunos editores atribuyeron falsamente a Filóxeno de Léucade. Posteriormente, reflexionamos sobre la identidad de Filóxeno de Léucade, quien probablemente debamos identificar con Filóxeno de Citera, y la autoría de una ?????????. Finalmente, dedicaremos unas últimas consideraciones sobre Filóxeno Pternokopides.
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    Les traductions latines de textes hagiographiques byzantins de la période médio-byzantine
    (2019) PanagoPoulos, Spyros P.
    The present article attempts to record and present as much as possible the Latin translations of hagiographical texts during the Middle Byzantine period. The texts are first approached from a literary point of view, then a historical presentation is attempted, referring to their possible functional use in the traditions of the two churches, Constantinople and Rome.
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    Inuentiones y translationes de S. Mercurio
    (2019) Ibáñez Chacón, Alvaro
    Inuentiones and translationes of the relics are part of the hagiographic dossier of a saint and provide interesting information about his cult over the centuries. For S. Mercurius of Caesarea the original texts in Greek have been lost, but we have two collections miracles in Coptic that narrate the inuentio and translatio of his relics and there is also a medieval tradition about his translatio to Benevento (Italy). From all these texts is deduced a healing cult of S. Mercurius based on the usual topics.
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    Aristóteles entre doxografía y biografía: sobre Diógenes Laercio V 31
    (2019) Grau Guijarro, Sergi
    It is intended to draw attention to a couple of phrases that appear right towards the middle of Aristotle?s controversial doxography that can be read in the Lives and doctrines of the most illustrious philosophers by Diogenes Laertius V 31, and which certainly do not correspond to any known doxographic system. As it frequently happens in the Laercian work, the same consideration about whether or not the philosopher should fall in love and get married is identical in other, completely different doxographies: the Cyrenaic (DL II 91), the Stoic (DL VII 129) and the Epicurean (DL X 118). It is possible to consider, then, the origin of this interest in the sentimental life, we could say, of the philosophers, in several doxographies. Once it has been established that its presence can hardly be traced in the philosophers? own doctrines, it is interesting to ask whether it could be a biographical topic transferred to doxography, as well as the statements about whether the philosopher should live in the court of the powerful.
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    Shining castles and humans of metal/floral appearance - metaphorical language in the Palaiologan romances Kallimachos and Velthandros*
    (2019) Fonseca, Rui Carlos
    About eight centuries after Heliodorus, the Greek novel resurfaced in the twelfth century, in Komnenian Byzantium, and again two centuries later under the Palaiologan dynasty. This latter literary revival was due to the political stability of the imperial Byzantine government, which promoted cultural production, rhetorical education, and patronage networks. Kallimachos and Velthandros, two Palaiologan romances presented as court literature, combine ancient and medieval tropes with rhetorical artistry to blur the boundaries between the artificial and the natural. Castles and objects made of precious metals thus resemble living, natural spaces, and human characters are portrayed in metallurgical, anthomorphic, and zoomorphic terms.
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    La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)
    (2019) García-Luengo Manchado, Javier
    This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.
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    Quot philosophi, tot sanniones: las descripciones de filósofos en la sátira latina
    (2019) Gallego Cebollada, Eduardo A.
    El artículo trata la descripción de los filósofos y pseudofilósofos en la sátira latina. A una breve introducción donde se recalca cómo el ataque personal era un elemento clave en este género, sigue un examen de las descripciones insertas en lo que convencionalmente se conoce como sátira regular, pese a que Varrón también aparece incluido con la intención de completar el panorama. El análisis diacrónico de las descripciones invita a pensar que se trata de un tópico especialmente activo en la poesía satírica y que tiende a incrementarse con el paso del tiempo, proporcionando siempre una imagen negativa de los falsos sabios. Si juzgar la finalidad de este recurso de forma global es complicado, su presencia en los textos satíricos sugiere entenderlo como un mecanismo para criticar la moral en la mayor parte de las ocasiones.
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    Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín
    (2019) Fernández Requena, Pedro
    The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function, the scholia of the Valencian author became quite subjective. In this sense, his ecdotic work or, specially, his «criticisms and censures» can be mentioned. Here, Vives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thus, this article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei. Therefore, we will analyse the way in which Vives comments the contents of this work. Moreover, the reiteration of his arguments will be remarked throughout the Commentarii. The modus operandi of Vives is justified by propaedeutic issues and it stimulates the freedom of conscience.
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    Autores para una reina: el estudio de las fuentes latinas en el Satellitium animi de J. L. Vives
    (2019) Cercadillo, María José
    Este trabajo supone una aproximación a la educación feminina del siglo XVI a través de la obra Satellitium animi de Juan Luis Vives, una de las menos conocidas del humanista en la actualidad. El estudio se centra en la búsqueda de las fuentes latinas que el humanista emplea como modelos de enseñanza para María Tudor, a quien dedica su obra. La presencia de autores como Cicerón, Séneca, Horacio, Virgilio, Ovidio o Suetonio, entre otros, demuestra la preocupación de Vives por la educación femenina, quien, a través de estos autores, no rebaja la calidad de la formación intelectual de la mujer en comparación con otras obras destinadas para la educación del varón.
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    Studi greci e latini nell'antica Università di Altamura (1748-1821)
    (2019) Bianchi, Nunzio
    The article tries to highlight, despite the scarse of available documentation, the Greek and Latin studies (language and texts) in the ancient Apulian University in Altamura (1748-1821). Furthermore, on the basis of unpublished archival materials (school registers and student workbooks) it is possible to shed light on the ancient authors explained at school, the teaching methods, and the study practices.
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    Due note etimologiche circostanziali circa il Ms.II.D.54 (BNN) attribuito a Baffi
    (2019) Bellucci, Nikola
    Within the investigations on the attribution of some manuscripts to the famous philologist P. Baffi and now kept at the National Library of Naples (BNN), this brief contribution investigates in detail some of the passages contained in Ms.II.D.54 (f. 234r et f. 325r), in order to understand its meaning and to evaluate and validate its attributing hypotheses.