Caplletra : Revista Internacional de Filologia. 2003. No. 34

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    Una cort "ferraresa" a València: els Centelles, Ariosto i un programa de substitució de la tradició literària autòctona
    (2003) Valsalobre, Pep
    Through a rhyming catalogue of Valencian writers included in his «Segunda parte de Orlando» (Second part of Orlando) (1555) and through other verses in the work, Nicolau Espinosa argues in favour of a cultured literary tradition in a new language, Castilian Spanish. Moreover, the intention to identify the patronage of the dukes of Oliva with that of the dukes of Ferrara, through skilful parallels between Ariosto’s «Orlando» and Espinosa’s composition can be clearly seen.
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    La recepció d'Ausiàs March al segle XVI: l'edició de Romaní (1539)
    (2003) López Casas, María Mercé
    Complete and detailed description of all the currently known copies of the edition of Ausiàs March’s poetry published by Baltasar de Romaní (València 1539). The author considers as stimulating the hypothesis explaining the edition as an initiative by Ferdinand of Aragon to introduce March and his verse into Castilian Spanish, which would explain why Romaní made a selection of text in Catalan with the corresponding Spanish translation.
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    Reflexions sobre la categorització del Cançoner satírich valencià de Miquel i Planas
    (2003) Martínez Romero, Tomàs
    This article identifies the ambitions and literary motifs of the various works in the «Cançoner» and questions the concept of “satire” for defining them as a whole. Considering the transgressions contained in it as a literary product with no subversive aim clears the way for viewing it as a set of cleverly combined elements of satire, parody and burlesque, following on from compositions like the «Col·loqui de dames» (Ladies’ Dialogue), and allowing different parodical readings from amorous and Boccaccian points of view.
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    La metàfora cinegètica a l'Spill de Jaume Roig
    (2003) Peirats, Ana I.
    Use and explanation of the metaphor of the chase in love in the Preface, the second book and the lesson of Solomon in Jaume Roig’s «Spill» (Mirror). Starting from an utterly medieval view of women, Roig sets out to give a lesson to those who do not know, something that is coherent with the sermon structure taken by the work.
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    Unes lletres de batalla en temps del Tirant: Joan Francesc de Pròixita contra Don Pero Maça de Liçana
    (2003) Terol i Reig, Vicent
    Publication and study of the “lletres de batalla” (written challenges to combat) exchanged by the Valencian nobles Don Pero Maça de Liçana and Joan Francesc de Pròixita. The affair ended in a combat, with the King of Navarre as judge, which took place at Pau (Bearn) on 5 February 1487. The dispute had a considerable impact on contemporaries and was picked up by historians and later writers.
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    De la sublimitat cortesa a l'efusió llibertina.: L'altra cara de la Fin'amor
    (2003) Beltran, Vicenç
    Review of satirical and obscene poetry, from the Galician/Portuguese and Provençal traditions to the «Cancionero de obras provocantes a risa» including Baena’s «Cancionero» and the «Cancionero General» by Hernando del Castillo. The author shows there is continuity in the use of these themes that is independent of their treatment and the rhetorical settings.The last pages are dedicated to the «Carajicomedia», the work of an author who is familiar with Valencia and perhaps with the milieu of Fenollar and company.
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    Sobre la diversitat de manifestacions literàries en la segona meitat del segle XV: contactes entre les obres i els autors
    (2003) García Sempere, Marinela
    After highlighting the variety and extent of literary texts in the last decades of the 15th century and the importance of the literary tradition, the unsuitability of critical assumptions like the radical separation of profane and religious literature is pointed out. An example of this is given with the study of the «Istòria de la Passió» (Story of the Passion) by Fenollar/Martines, in which profane techniques are used and the March/Corella/Fenollar relationship is made clear. In the second part, the «Col·loqui de dames» (Ladies’ Dialogue) is read as an exaggerated counterpoint to the feminine chastity circulated in religious writings.
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    De la tardor medieval al renaixement: aspectes d'una gran mutació sociolingüística i cultural a través dels Viciana
    (2003) Ferrando Francés, Antoni
    Review and contextualisation of biographical, bibliographical, linguistic and ideological facets of Martí de Viciana el Vell (the elder) and his grandson Rafael Martí de Viciana (with special attention to linguistic attitude). By contrasting them, it serves to throw into relief the great cultural and sociolinguistic mutation in the heart of the classes dominating the kingdom of Valencia at the end of the 15th century and beginning of the 16th, caused by important political and social changes.
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    Literatura i cultura entre els segles XV i XVI
    (2003) Martínez Romero, Tomàs
    Introducció al núm. monogràfic homònim.