Del fragmento, la repetición, el ritmo, la permutación, la aleatoriedad y la indeterminación en la poesía fonética y sonora

This article aims to cover the various factors or elements that, under my opinion, have been used in the historic creation of phonetic and sonorous poetry, and those I use in my personal practice. Thus, I have made mine the relationship between fragmentation, repetition and discontinuity, present in many historical compositions, applying them to my own pieces. In addition, the complete text offers a defence of the concepts of rhythm and permutation. The first are related at the same time with breathing and nature. With regards to permutation, I stress its possible connection with the absurd. The end of the article deals with the difference between randomness and indeterminacy, as defended by Boulez and Cage. I have used them together in some of my latest compositions.