Recordeu que es poden pujar les aportacions als sexennis de l'ANECA al repositori institucional, sense necessitat d’esperar que s’òbriga la convocatòria. Fer-ho amb antelació pot evitar imprevistos tècnics i facilitar la gestió. Articles: S’han de dipositar mitjançant la passarel·la GREC/RODERIC. Llibres, capítols de llibre o dades de recerca: S’han de dipositar directament a través de RODERIC. ________________________________________ Recordad que se pueden subir las aportaciones a los sexenios de la ANECA al repositorio institucional, sin necesidad de esperar a que se abra la convocatoria. Hacerlo con tiempo puede evitar imprevistos técnicos y facilitar la gestión. Artículos: Deben depositarse mediante la pasarela GREC/RODERIC. Libros, capítulos de libro o datos de investigación: Deben depositarse directamente a través de RODERIC
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The Italian-American Musical Experience. A Journey from Busoni to Berio, LIM, Lucca 2023. A review. Sonic Bridges between Italy and the United States: Valentina Bensi's contribution to transoceanic musicology

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In the volume The Italian-American Musical Experience. A Journey from Busoni to Berio (LIM, 2023), Valentina Bensi explores the phenomenon of Italian musical migration to the United States between the 19th and 20th centuries, tracing the paths of eight Italian composers from Busoni to Berio who, for artistic or political reasons, moved to the U.S. Introduced by Harvey Sachs, the book offers an engaging and richly documented narrative that weaves together cultural history, biography, and musical analysis.Bensi highlights how these musicians not only integrated into the American context but also deeply influenced it, contributing to the development of the U.S. musical scene as performers, composers, and educators. Among the featured figures are well-known names such as Toscanini, Castelnuovo-Tedesco, Dallapiccola, and Berio, as well as less-known figures like Scalero, teacher of Barber, Menotti, and Rota.The author shows that, despite individual differences, the migratory experience proved fertile and transformative for all. The volume stands out for its scholarly rigor, stylistic elegance, and accessible tone, making it suitable for both specialists and general readers. Thanks to its extensive critical apparatus and use of epistolary sources, the book offers a major contribution to 20th-century musicology, shedding light on a little-explored chapter in the cultural relations between Italy and the United States.

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