This article analyzes the female language in the classical tragedy of the 5th century BC studying its keys and its main verbal modes (such as song, plea or silence). Particularly, I shall focus on the study of one of the most popular female characters in classical tragedy, the Aeschylean Clytemnestra, whose paradigmatic staging, including issues of gender, has survived over the centuries.
Rodríguez Carmona, Ana Belén. El lenguaje de Clitemnestra en el Agamenón de Esquilo. En: Tycho, 2013, No. 1: 99










