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La vocalidad del violín en el norte de Italia en torno a 1600

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La vocalidad del violín en el norte de Italia en torno a 1600

dc.contributor.author	Masmano Llobregat, Raquel	es
dc.date.accessioned	2021-12-23T12:21:27Z
dc.date.available	2021-12-23T12:21:27Z
dc.date.issued	2021	es
dc.identifier.uri	https://hdl.handle.net/10550/81175
dc.description.abstract	Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music, I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this, I focus on reviewing sources that describe the vocal practice around 1600, but also contemporary sources in which we can find instructions addressed to bow instruments. Besides, a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last, I comment on a selection of violin music of the early Seventeenth Century, on which, based on the information previously gathered, I analyze those elements and drifts that are specifically vocal.	es
dc.source	Masmano Llobregat, Raquel. La vocalidad del violín en el norte de Italia en torno a 1600. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 363-388	es
dc.subject	2386-8260 13268 Itamar	es
dc.subject	revista de investigación musical: territorios para el arte 590908 2021 7 8182070 La vocalidad del violín en el norte de Italia en torno a 1600 Masmano Llobregat	es
dc.subject	Raquel Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music	es
dc.subject	I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this	es
dc.subject	I focus on reviewing sources that describe the vocal practice around 1600	es
dc.subject	but also contemporary sources in which we can find instructions addressed to bow instruments. Besides	es
dc.subject	a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last	es
dc.subject	I comment on a selection of violin music of the early Seventeenth Century	es
dc.subject	on which	es
dc.subject	based on the information previously gathered	es
dc.subject	I analyze those elements and drifts that are specifically vocal. 363 388	es
dc.title	La vocalidad del violín en el norte de Italia en torno a 1600	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi		es
dc.type.hasVersion	VoR	es_ES