La vocalidad del violín en el norte de Italia en torno a 1600
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La vocalidad del violín en el norte de Italia en torno a 1600

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La vocalidad del violín en el norte de Italia en torno a 1600

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dc.contributor.author Masmano Llobregat, Raquel es
dc.date.accessioned 2021-12-23T12:21:27Z
dc.date.available 2021-12-23T12:21:27Z
dc.date.issued 2021 es
dc.identifier.uri https://hdl.handle.net/10550/81175
dc.description.abstract Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music, I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this, I focus on reviewing sources that describe the vocal practice around 1600, but also contemporary sources in which we can find instructions addressed to bow instruments. Besides, a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last, I comment on a selection of violin music of the early Seventeenth Century, on which, based on the information previously gathered, I analyze those elements and drifts that are specifically vocal. es
dc.source Masmano Llobregat, Raquel. La vocalidad del violín en el norte de Italia en torno a 1600. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 363-388 es
dc.subject 2386-8260 13268 Itamar es
dc.subject revista de investigación musical: territorios para el arte 590908 2021 7 8182070 La vocalidad del violín en el norte de Italia en torno a 1600 Masmano Llobregat es
dc.subject Raquel Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music es
dc.subject I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this es
dc.subject I focus on reviewing sources that describe the vocal practice around 1600 es
dc.subject but also contemporary sources in which we can find instructions addressed to bow instruments. Besides es
dc.subject a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last es
dc.subject I comment on a selection of violin music of the early Seventeenth Century es
dc.subject on which es
dc.subject based on the information previously gathered es
dc.subject I analyze those elements and drifts that are specifically vocal. 363 388 es
dc.title La vocalidad del violín en el norte de Italia en torno a 1600 es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi es

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