Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo
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Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo

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Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo

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dc.contributor.author Múrcia i Cambra, Miquel Àngel es
dc.date.accessioned 2021-12-23T12:21:26Z
dc.date.available 2021-12-23T12:21:26Z
dc.date.issued 2021 es
dc.identifier.uri https://hdl.handle.net/10550/81170
dc.description.abstract Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby. es
dc.source Múrcia i Cambra, Miquel Àngel. Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 187-198 es
dc.subject 2386-8260 13268 Itamar es
dc.subject revista de investigación musical: territorios para el arte 590908 2021 7 8182065 Eclecticismo es
dc.subject Écart y alteridad: Symphony V American es
dc.subject de Leonardo Balada es
dc.subject como paradigma compositivo Múrcia i Cambra es
dc.subject Miquel Àngel Eclecticism is a complex creative trend born as a consequence of both postmodernism and the heterodox treatment of cultural identity borders. This aesthetic path emerges as a compositional model of great communicative power in contemporary creation in the last two decades. Our essay addresses the Symphony V "American" (2003) by Leonardo Balada (1933) as a compositional paradigm. Through this article we demonstrate the importance of including popular sounds and re-signifying materials in the creative conception. A valid model of communication ahead of the challenges of globalization and mass media processes is therefore established hereby. 187 198 es
dc.title Eclecticismo, Écart y alteridad: Symphony V American, de Leonardo Balada, como paradigma compositivo es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi es

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