Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition
NAGIOS: RODERIC FUNCIONANDO

Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition

DSpace Repository

Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition

Show simple item record

dc.contributor.author Dutra, Arthur es
dc.date.accessioned 2021-12-23T12:21:26Z
dc.date.available 2021-12-23T12:21:26Z
dc.date.issued 2021 es
dc.identifier.uri https://hdl.handle.net/10550/81169
dc.description.abstract Starting from sociologist Anne-Marie Green?s idea of ?common space?, and from Hans Robert Hauss? reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories. es
dc.source Dutra, Arthur. Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 165-186 es
dc.subject 2386-8260 13268 Itamar es
dc.subject revista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra es
dc.subject Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space? es
dc.subject and from Hans Robert Hauss? reception theory es
dc.subject the improvisation workshop is thought to be a way of transforming the practices of reception es
dc.subject in order to modify the nature of the culture of listening of each listener. Four research axis are es
dc.subject then es
dc.subject proposed es
dc.subject from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education es
dc.subject including the research of communicational tools specific to reception of music es
dc.subject capable of captivating the listeners with the original aspects of the unknown musical territories. 165 186 es
dc.title Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition es
dc.type journal article es_ES
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi es
dc.type.hasVersion VoR es_ES

View       (1.272Mb)

This item appears in the following Collection(s)

Show simple item record

Search DSpace

Advanced Search

Browse

Statistics