La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949)
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La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949)

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La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949)

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dc.contributor.author Llibrer Escrig, Antoni es
dc.date.accessioned 2021-02-08T09:56:43Z
dc.date.available 2021-02-08T09:56:43Z
dc.date.issued 2020 es
dc.identifier.uri https://hdl.handle.net/10550/77689
dc.description.abstract The problem of artistic destruction and its reconstruction has been little studied. Using a microhistorical analysis method, we study the town of Lliria (Valencia) and its brotherhood of ?La Sang de Jesucrist? (had a great heritage from the 16th to the 19th centuries), and we also analyze how and why this destruction and reconstruction was generated during the context of the civil war. We use and combine different sources (public of the ?Causa General? and private of the ?Minute Books?) for this research, with the intention of specifying the analysis of this complex process. We also explain social and artistic relationships of these two processes, that help us study the workshops of the most important sculptors in Valencia during the 1940s and 1950s (Ponsoda, Bellver, Sambonet o Cuesta). es
dc.source Llibrer Escrig, Antoni. La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949). En: Archivo de arte valenciano, 101 2020: 249-261 es
dc.subject 0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707988 La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949) Llibrer Escrig es
dc.subject Antoni The problem of artistic destruction and its reconstruction has been little studied. Using a microhistorical analysis method es
dc.subject we study the town of Lliria (Valencia) and its brotherhood of ?La Sang de Jesucrist? (had a great heritage from the 16th to the 19th centuries) es
dc.subject and we also analyze how and why this destruction and reconstruction was generated during the context of the civil war. We use and combine different sources (public of the ?Causa General? and private of the ?Minute Books?) for this research es
dc.subject with the intention of specifying the analysis of this complex process. We also explain social and artistic relationships of these two processes es
dc.subject that help us study the workshops of the most important sculptors in Valencia during the 1940s and 1950s (Ponsoda es
dc.subject Bellver es
dc.subject Sambonet o Cuesta). 249 261 es
dc.title La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949) es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi es

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