Memorias fantasmales de la afro-europeidad después de la Gran Guerra en Half Blood Blues de Esi Edugyan
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Memorias fantasmales de la afro-europeidad después de la Gran Guerra en Half Blood Blues de Esi Edugyan

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Memorias fantasmales de la afro-europeidad después de la Gran Guerra en Half Blood Blues de Esi Edugyan

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dc.contributor.author Cucarella Ramon, Vicent es
dc.date.accessioned 2021-01-14T08:57:06Z
dc.date.available 2021-01-14T08:57:06Z
dc.date.issued 2019 es
dc.identifier.uri https://hdl.handle.net/10550/77059
dc.description.abstract African Canadian author Esi Edugyan?s second novel Half Blood Blues, published in 2011, undertakes an excavation of the trajectories of different types of blackness across the convoluted history of Europe after the Great War and the Nazi regime by focusing on the tragic whereabouts of Afro-European denizen Hiero Falk and his jazz band. The story exemplifies the complex perception of the black subject?s European identity and its resilient attitude by unpacking their ghostly memories and the exclusionary racial policies in a continent caught up into different wars. Thus, using as a theoretical framework the politics of cultural memory alongside the aesthetics of the (postcolonial) gothic and its intersection with the workings of racialization this essay focuses on Edugyan?s retrieval of Afro-European memory haunted by a context of racial supremacy and erasure to outline the much needed dialogue between European history and its colonial endeavor. es
dc.source Cucarella Ramon, Vicent. Memorias fantasmales de la afro-europeidad después de la Gran Guerra en Half Blood Blues de Esi Edugyan. En: Quaderns de filologia. Estudis literaris, 24 2019: 55-75 es
dc.title Memorias fantasmales de la afro-europeidad después de la Gran Guerra en Half Blood Blues de Esi Edugyan es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi 10.7203/qdfed.24.16330 es

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