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Los trabajos del mito clásico en el Chile actual. La puta madre de Marco Antonio de la Parra

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dc.contributor.author	Morant Giner, Maria	es
dc.date.accessioned	2020-10-16T11:38:37Z
dc.date.available	2020-10-16T11:38:37Z
dc.date.issued	2019	es
dc.identifier.uri	https://hdl.handle.net/10550/75867
dc.description.abstract	At this moment, concern about the memory takes up the center in the political and cultural life in many countries. It is the case of Chile, which since 1989 it has lived through many political disputes for memory. The sociology and cultural studies have done many researches about this problema. In this study we have taken the perspective of the classical tradition with the aim of reflecting the use of classical myth in the reinterpretation of the national past. For this we have analyzed La puta madre (1998), a play inspired by the legend of the Atreus and adapted to the social and cultural chilean context of the second half of the 20th century to dramatize tensions, contradictions and anxieties of the current culture of memory.	es
dc.source	Morant Giner, Maria. Los trabajos del mito clásico en el Chile actual. La puta madre de Marco Antonio de la Parra. En: Kamchatka: revista de análisis cultural, 14 2019: 603-623	es
dc.title	Los trabajos del mito clásico en el Chile actual. La puta madre de Marco Antonio de la Parra	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi	10.7203/KAM.14.15883	es
dc.type.hasVersion	VoR	es_ES