Il mattatoio tra Marcuse e patronage. Alcune chiavi di lettura dell?opera di Giorgio Pressburger
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Il mattatoio tra Marcuse e patronage. Alcune chiavi di lettura dell?opera di Giorgio Pressburger

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Il mattatoio tra Marcuse e patronage. Alcune chiavi di lettura dell?opera di Giorgio Pressburger

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dc.contributor.author Carini, Francesco es
dc.date.accessioned 2020-09-24T07:24:51Z
dc.date.available 2020-09-24T07:24:51Z
dc.date.issued 2019 es
dc.identifier.uri https://hdl.handle.net/10550/75619
dc.description.abstract This article presents the radio-play Il mattatoio (The slaughter house) by the writer and playwright Giorgio Pressburger. The analysis is focused on some main points of the theories of Herbert Marcuse (who is directly mentioned in the incipit of the piece) regarding consumer society and family.  In this work, presented by RAI at the Prix Italia 1967 and aired on the Third Program on the 9th October of the same year, the author is able to describe with intelligence a situation in which Luciano Prisco, an alleged mobster and businessman native of Naples, owner of three slaughterhouses in New York, passes craftily over everything that is not connected to his own social and economic climbing. In such context, where family becomes only a way to manage power and business, in part like a clientelistic structure, with functions and roles decided by the main character, every aspect that is not connected to the protection and growth of his authority becomes useless and dangerous. es
dc.source Carini, Francesco. Il mattatoio tra Marcuse e patronage. Alcune chiavi di lettura dell?opera di Giorgio Pressburger. En: Eu-topías: revista de interculturalidad, comunicación y estudios europeos, 18 2019: 33-38 es
dc.title Il mattatoio tra Marcuse e patronage. Alcune chiavi di lettura dell?opera di Giorgio Pressburger es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi 10.7203/eutopias.18.16839 es

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