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Cómo representar el horror: las Erinias en la tradición occidental

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dc.contributor.author	Morant Giner, Maria
dc.date.accessioned	2020-04-27T08:24:12Z
dc.date.available	2020-04-27T08:24:12Z
dc.date.issued	2019	es_ES
dc.identifier.uri	https://hdl.handle.net/10550/74050
dc.description.abstract	The objective of the present work is to keep track of the Erinyes in the Western tradition, starting with Aeschylus´ Eumenides. We are taking into account the intertextuality and intermodality, as it is typical of the studies on the Classical Tradition. We are also paying attention to disciplines as varied as literature, ceramics, painting, cinema… with the aim of reflecting the evolution undergone by these characters over time. Thus, we will observe that the specific circumstances surrounding each recreation or reinterpretation implies that the author/artist judges them in a specific way. Along this paper, we will realize that the Aeschylus’ Eumenides has few similarities with Sartre’s work.	es_ES
dc.language.iso	es	es_ES
dc.subject	Erinias	es_ES
dc.subject	Euménides	es_ES
dc.subject	Furias	es_ES
dc.subject	tradición clásica	es_ES
dc.title	Cómo representar el horror: las Erinias en la tradición occidental	es_ES
dc.type	book part	es_ES
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es_ES