Intertextos parateatrales en el cine de Pedro Almodóvar
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Intertextos parateatrales en el cine de Pedro Almodóvar

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Intertextos parateatrales en el cine de Pedro Almodóvar

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dc.contributor.author Torre Espinosa, Mario de la es
dc.date.accessioned 2019-07-24T11:33:29Z
dc.date.available 2019-07-24T11:33:29Z
dc.date.issued 2019 es
dc.identifier.uri https://hdl.handle.net/10550/71083
dc.description.abstract The filmography of Pedro Almodóvar has been considered as a paradigm of theatricality in cinema. Indeed, a huge amount of bibliography has been generated from this point of view. This is because, among other reasons, the presence of theatrical intertexts, but also the paratheatrical ones, understood as certain performative forms that assume some principles of the stage representation such as the existence of at least one actor and one spectator. In this article are identified different paratheatrical intertexts belonging to the bullfighting scene, the catholic liturgy, the plastic arts used as scenography, the metacinematographic elements and the fashion world. Can be seen how throughout the Almodovar?s films there is a strong presence of paratheatrical intertexts, significantly contributing to the theatrum mundi vision of his cinema, linked to a postmodern aesthetic because, among other issues, the importance of the artifice nature of his movies. es
dc.source Torre Espinosa, Mario de la. Intertextos parateatrales en el cine de Pedro Almodóvar. En: Kamchatka: revista de análisis cultural, 13 2019: 509-533 es
dc.title Intertextos parateatrales en el cine de Pedro Almodóvar es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi 10.7203/KAM.13.13136 es

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