Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"
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Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"

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Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"

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dc.contributor.author Celda Real, Olga es
dc.date.accessioned 2019-02-20T10:36:30Z
dc.date.available 2019-02-20T10:36:30Z
dc.date.issued 2010 es
dc.identifier.uri http://hdl.handle.net/10550/69136
dc.source Celda Real, Olga. Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida". En: Itamar, revista de investigación musical, 2010, Número 3: 293-309 es
dc.subject Música es
dc.subject Arte es
dc.title Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida" es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::PEDAGOGÍA es

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