In Aut-Aut S. Kierkegaard makes a highly original interpretation of Mozart's Don Giovanni, which can only be found in a personality of the German romanticism such as E.T.A. Hoffmann. In fact, the central category of interpretation of the demonic, is found from the very beginning, the famous figure of Don Giovanni is penetrated by the internal contradiction of the devil, that lays between the absolute determination and the free will. The special fascination of Don Giovanni, as diabolic, lies in the interior of such a contradiction, exalted by the music in all its implications.... [Leer más...]