Une déclinaison de la greffe dans l’opéra arabe de Zad Moultaka
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Une déclinaison de la greffe dans l’opéra arabe de Zad Moultaka

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Une déclinaison de la greffe dans l’opéra arabe de Zad Moultaka

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dc.contributor.author Migliore, Brigida es
dc.date.accessioned 2018-07-20T10:52:03Z
dc.date.available 2018-07-20T10:52:03Z
dc.date.issued 2018 es
dc.identifier.uri http://hdl.handle.net/10550/67184
dc.source Migliore, Brigida. Une déclinaison de la greffe dans l’opéra arabe de Zad Moultaka. En: Itamar, revista de investigación musical, 2011 - 2018, Número 4: 502-527 es
dc.subject Música es
dc.subject Arte es
dc.title Une déclinaison de la greffe dans l’opéra arabe de Zad Moultaka es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::PEDAGOGÍA es
dc.description.abstractenglish Zajal is the first opera, in three acts, created by Zad Moultaka, Lebanese composer living in Paris, who conducts a research in order to achieve a personal music language based on the integration of composition occidental techniques and oral tradition, belonging to the Arabic music. He chose the genre of the zajal, because of its importance as a form of literary verbal contest, spoken in dialect, still performed nowadays, in spite of its very ancient origins. The libretto is an extract from the Dīwān Šaḥrūr written by the contemporary Lebanese poet, Nabil el-Feghali. This contribution wants to study the expedients created by the composer and analyze the declinations about the notion of “graft” that he carries out in order to create an approach between his native music environment (Arabic music) and his spiritual adoptive one (contemporary occidental music). Zajal represents a fertile land to carry out cohabitation among different elements: the analysis of graft is inflected at many levels and has surprising results of originality and innovation. es

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