La Piedad del Museo de Bellas Artes de Asturias. La obra y sus modelos
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La Piedad del Museo de Bellas Artes de Asturias. La obra y sus modelos

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La Piedad del Museo de Bellas Artes de Asturias. La obra y sus modelos

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dc.contributor.author Sáenz Pascual, Raquel es
dc.date.accessioned 2018-05-23T08:23:46Z
dc.date.available 2018-05-23T08:23:46Z
dc.date.issued 2017 es
dc.identifier.uri http://hdl.handle.net/10550/66261
dc.description.abstract The Piety preserved in the Museum of Fine Arts of Asturias is a devotional piece attributed to the Master of the Female Half-Lengths. To create this painting, which depicts several passages of the Passion, the artist followed models that had already been used in other Flemish workshops, as David?s and Benson?s, as well as in an engraving made by Durer. es
dc.source Sáenz Pascual, Raquel. La Piedad del Museo de Bellas Artes de Asturias. La obra y sus modelos. En: Ars longa: cuadernos de arte, 26 2017: 67-74 es
dc.title La Piedad del Museo de Bellas Artes de Asturias. La obra y sus modelos es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::HISTORIA es
dc.identifier.doi es

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