El Tomé de Burguillos de Lope de Vega, un peculiar lector de Petrarca
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El Tomé de Burguillos de Lope de Vega, un peculiar lector de Petrarca

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El Tomé de Burguillos de Lope de Vega, un peculiar lector de Petrarca

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dc.contributor.author Pérez Andrés, Juan es
dc.date.accessioned 2016-02-25T12:58:05Z
dc.date.available 2016-02-25T12:58:05Z
dc.date.issued 2014 es
dc.identifier.uri http://hdl.handle.net/10550/51268
dc.relation https://dialnet.unirioja.es/descarga/articulo/4597936.pdf es
dc.source Pérez Andrés, Juan. El Tomé de Burguillos de Lope de Vega, un peculiar lector de Petrarca. En: Zibaldone. Estudios italianos de La Torre del Virrey, 2014, Vol. 2, no. 1: 66-82 es
dc.subject Estudios regionales y locales es
dc.subject Humanidades es
dc.title El Tomé de Burguillos de Lope de Vega, un peculiar lector de Petrarca es
dc.type journal article es_ES
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.description.abstractenglish Las rimas humanas y divinas del licenciado Tomé de Burguillos, the last book of poems published by Lope de Vega, deserve a special attention within Lope de Vega's literary production, as well as within the outlook of the main collections of poems of the Baroque period, especially because of its modernity, its importance to know this last stage of Lope de Vega's career and the variety of themes that it contains. Without doubt, among all, it should be pointed out those compositions in which, from a burlesque point of view, Lope de Vega, through his heteronym Tomé de Burguillos, go back to themes and topoi inherited from Petrarch to write a book that can be considered, in a certain sense, the last canzoniere of the Petrarchan tradition. es
dc.type.hasVersion VoR es_ES

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