In the last thirty years the use and reelaboration of films with a personal and familiar origin, specially in works filmed by women, have increased notably. In some cases this practice represents the desire to tell the own story (trying to rethink a traumatic experience of social, familiar or ethnic nature), meanwhile in other cases, it is the perfect way to self introspection. In this context, Tutto parla di te and Un'ora sola ti vorrey, by Alina Marazzi, are both very good examples of this trend.... [Leer más...]