The aim of this paper is to explore the mechanisms inherent to the freak show as a paratheatrical performance in France at the beginning of the 20th century. Firstly, throughout the exhibition of the anomalous body in foires and circuses, I will analyse to what extent the phénomène may be considered an actor, a character, or both following the precepts of mythistory. Secondly, I will attend to the main milestones of the professionalisation of the freak actor by means of his/her contextualisation within the processes of the French cultural industry at the turn of the 19th century. Keywords: freak show; theatre industry; mythistory; physicality.... [Leer más...]