Juegos de palabras y música en El Cortesano de Luis Milán
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Juegos de palabras y música en El Cortesano de Luis Milán

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Juegos de palabras y música en El Cortesano de Luis Milán

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dc.contributor.author Colella, Alfonso es
dc.date.accessioned 2015-06-19T11:06:09Z
dc.date.available 2015-06-19T11:06:09Z
dc.date.issued 2015 es
dc.identifier.uri http://hdl.handle.net/10550/44620
dc.source Colella, Alfonso. Juegos de palabras y música en El Cortesano de Luis Milán. En: SCRIPTA. Revista de Literatura i Cultura Medieval i Moderna, 2015, No. 5: 229 es
dc.subject Filologías. Generalidades es
dc.subject Filologías es
dc.title Juegos de palabras y música en El Cortesano de Luis Milán es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.description.abstractenglish Abstract: This article takes into consideration El Cortesano (1561) by Luis Milán: in this text the musical performance is strongly influenced by the playful attitudes of the individuals who attended the court meetings of Fernando de Aragón and Germana de Foix. Therefore, the musician has to keep in mind every expectation of courtly entertainment and gaming, and morevoer he must open his interpretative options to meet also the demands of the public. What emerges is a picture of the musician and his music that is different from what one would expect in another social context. In such aristocratic society as the Duke of Calabria, music was not understood only in terms of its aesthetic values and technical aspects, but it also required that the player  accepted  the rituals of the courtly game. es

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