Centeno Martín, Marcos Pablo | |||
This document is a artículoDate2010 | |||
Este documento está disponible también en : http://hdl.handle.net/10550/43218 |
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The urban space of Tokyo is a recurrent landscape used by many filmmakers throughout history to show various changes in Japanese society. The purpose of this diachronic film analysis is to extrapolate a sociological view of Tokyo in the frame of Modernity and the new concept of Postmodernity, the redefinition of the historical period beginning in the late 1970s. | |||
Centeno Martín, Marcos Pablo 2010 Views of Modern and Postmodern Tokyo: dehumanization, urban, social and body changes Cinema & Cie International Film Studies Journal X 13 156 161 |