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Arrebato, Rapture (Iván Zulueta, 1980)

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Arrebato, Rapture (Iván Zulueta, 1980)

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	Sánchez-Biosca, Vicente Perfil
	This document is a capítuloDate2005
	Este documento está disponible también en : http://hdl.handle.net/10550/37251
	El objetivo de este ensayo es analizar desde una perspectiva experimental el film Arrebato (I. Zulueta, 1980) poniendo de relieve el sistema de apropiaciones y referencias de otros films y manifestaciones de la cultura visual. El relato que sirve de base a Zulueta es el de la devoración y el vampirismo.
	The purpose of this essay is to analyze Ivan Zulueta's cult movie, Rapture (1980), from an experimental point of view. As a metalinguistic film, Rapture (Arrebato) is full of references and resources coming from the images (comics, photography, cinema, and so on). Nonetheless, the singularity of this film consists of re-reading a certain amount of avant-garde and pop culture films from the 60s around a narrative of ectasy and cinematic vampirism.... [Leer más...] [-] The purpose of this essay is to analyze Ivan Zulueta's cult movie, Rapture (1980), from an experimental point of view. As a metalinguistic film, Rapture (Arrebato) is full of references and resources coming from the images (comics, photography, cinema, and so on). Nonetheless, the singularity of this film consists of re-reading a certain amount of avant-garde and pop culture films from the 60s around a narrative of ectasy and cinematic vampirism.
	Vicente Sánchez-Biosca, "Arrebato, Rapture (Iván Zulueta, 1980)", en Alberto Mira ed., The Cinema of Spain and Portugal, London, Wallflower Press, 2005, pp. 169-177.

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62 - Ciències de les Arts i Lletres [771]

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