The purpose of the text is to describe the theoretical assumptions that led to the emergence of the Soviet cinema of the twenties and briefly define its scope and significance in the history of the art of motion pictures. Such theoretical assumptions, very briefly, were exposed by Eisenstein –emblematic representative of Soviet cinema to the world– in the crowded lecture he gave at the Sorbonne during his visit to Paris, when he had completed four of his seven films.... [Leer más...]