This article deals with the transformation produced in the last decades in the cultural patrimony, which has known, beside a progressive globalization, an expansion of its contents, and a deep transformation of its meanings. In this respect, the author reveals the multiple paradoxes that accompany on the cultural patrimony and, to explain some of them, resorts to the figure of zombi or living dead man, which describes it as something dead in the past that the present returns to the life in an artificial way, creating a new scene and fitting it into a neutral role for which had not been created.... [Leer más...]