El verdadero reto de la fotografía (como arte representacional comunicativo)
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El verdadero reto de la fotografía (como arte representacional comunicativo)

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El verdadero reto de la fotografía (como arte representacional comunicativo)

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dc.contributor.author Hopkins, Robert es
dc.date.accessioned 2019-11-06T13:36:00Z
dc.date.available 2019-11-06T13:36:00Z
dc.date.issued 2018 es
dc.identifier.uri https://hdl.handle.net/10550/72096
dc.description.abstract I argue that authentic photography is not able to develop to the full as a communicative representational art. Photography is authentic when it is true to its self-image as the imprinting of images. For an image to be imprinted is for its content to be linked to the scene in which it originates by a chain of sufficient, mind-independent causes. Communicative representational art (in any medium: photography, painting, literature, music, etc.) is art that exploits the resources of representation to achieve artistically interesting communication of thought. The central resources of representation are content, vehicle properties, and the interplay between these two. Whereas painting and other representational arts are able to exploit all three to communicate thought, authentic photography can exploit interplay only to a very limited degree. However, the exploitation of interplay is the culmination of communicative representational art: the natural endpoint in its development. Keywords: aesthetics, philosophy of art, photography, painting es
dc.source Hopkins, Robert. El verdadero reto de la fotografía (como arte representacional comunicativo). En: Laocoonte : revista de estética y teoría de las artes, 5 2018: 59-79 es
dc.title El verdadero reto de la fotografía (como arte representacional comunicativo) es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS es
dc.identifier.doi 10.7203/laocoonte.0.5.13555 es

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