Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni
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Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni

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Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni

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dc.contributor.author Milli, Pietro es
dc.date.accessioned 2019-09-16T07:25:50Z
dc.date.available 2019-09-16T07:25:50Z
dc.date.issued 2019 es
dc.identifier.uri https://hdl.handle.net/10550/71505
dc.source Milli, Pietro. Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni. En: Itamar, revista de investigación musical, 2019, Número 5: 187-206 es
dc.subject Música es
dc.subject Arte es
dc.title Théâtre musical et matiérisme : Atomtod de Giacomo Manzoni es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::PEDAGOGÍA es
dc.description.abstractenglish This article deals with Atomtod (1964), Giacomo Manzoni's third stage work, which addresses the theme of atomic weapons and its political and social issues. After evoking the historical context in which it was conceived, we studied some emblematic aspects of Atomtod’s libretto, focusing on music and staging as well as its analogies with Intolleranza by Luigi Nono. Based on archival documents (sketches, press articles, an inedited correspondence), the present article specifically aims at illustrating to what extent this work refers to the composer’s materialistic poetics. es

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