Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"
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Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"

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Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida"

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Celda Real, Olga
This document is a artículo publicadoDate2010

Este documento está disponible también en : http://hdl.handle.net/10550/69136

    Celda Real, Olga. Choreographing Social Manifestos: Dance-Theatre, Body, Identity and Semiotics in Amanda Dansa's "Crónica Civil" V-36/39 and "Toda una vida". En: Itamar, revista de investigación musical, 2010, Número 3: 293-309

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