El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118)
NAGIOS: RODERIC FUNCIONANDO

El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118)

DSpace Repository

El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118)

Show full item record

View       (460.4Kb)

Exportar a Refworks
    
Blázquez Noya, Alba
This document is a artículo publicadoDate2017
Hercules, traditionally considered the great hero of the Greeks, the symbol of salvation and the incarnation of masculinity, receives a strong «de-heroizing» treatment in Ovid?s Letter from Deianira to Hercules, a work in which a whole passage paints him completely as a cross-dresser. We refer to the passage that narrated Hercules?s time as a slave (and lover) of Omphale in Lydia. In this article we see how Deianira utilizes the standards of the model of ideal masculinity to ridicule her husband by reminding him of the times he did not live up to that model, and applies to Hercules practically all of the elegiac code of the lover as a servant at the orders of his domina

    Blázquez Noya, Alba. El «travestimiento burlesco» de Hércules en Ov. Her. IX. (55-118). En: Studia philologica valentina, 1 2017: 87-94
distribuido bajo licencia Creative Commons de Reconocimiento-NoComercial 3.0 No adaptada

This item appears in the following Collection(s)

Show full item record

Search DSpace

Advanced Search

Browse

Statistics