Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo
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Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo

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Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo

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dc.contributor.author Schiavon, Andrea es
dc.date.accessioned 2018-02-05T10:58:13Z
dc.date.available 2018-02-05T10:58:13Z
dc.date.issued 2017 es
dc.identifier.uri http://hdl.handle.net/10550/64516
dc.description.abstract The drawings that Lorenzo Lotto made for the marquetry of the choir of Santa Maria Maggiore of Bergamo, executed between 1524 and 1532, highlight the special interest in hieroglyphs in Italian art. This article concentrates on the four examples of inlaid work that decorate the exterior facade of the choir, which were crafted based on the drawings of Lotto. The marquetry is analyzed by identifying its textual and visual sources, proposing as well an iconographical interpretation by considering the visual discourse that derives from the work as a whole. KEYWORDS: Lotto; Hieroglyphics; Choir; Marquetry; Bible. es
dc.source Schiavon, Andrea. Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo. En: Imago: revista de emblemática y cultura visual, 9 2017: 123-149 es
dc.title Los jeroglíficos de Lorenzo Lotto para el coro de Santa Maria Maggiore de Bérgamo es
dc.type info:eu-repo/semantics/article en
dc.type info:eu-repo/semantics/publishedVersion en
dc.subject.unesco UNESCO::HISTORIA es
dc.identifier.doi 10.7203/imago.9.9090 es

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