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Centeno Martín, Marcos Pablo | |
Aquest document és un/a article, creat/da en: 2010 | |
The urban space of Tokyo is a recurrent landscape used by many filmmakers throughout history to show various changes in Japanese society. The purpose of this diachronic film analysis is to extrapolate a sociological view of Tokyo in the frame of Modernity and the new concept of Postmodernity, the redefinition of the historical period beginning in the late 1970s. | |
Centeno Martín, Marcos Pablo 2010 Views of Modern and Postmodern Tokyo: dehumanization, urban, social and body changes Cinema & Cie International Film Studies Journal X 13 156 161 |