Montage and Spectator: Eisenstein and the Avant-Garde
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Montage and Spectator: Eisenstein and the Avant-Garde

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Montage and Spectator: Eisenstein and the Avant-Garde

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Sánchez-Biosca, Vicente Perfil
This document is a artículoDate1990

Este documento está disponible también en : http://hdl.handle.net/10550/30110
This article aims to understand the theory of montage in the aesthetics os S.M. Eisenstein. For so doing, it bring toghether a series os expressions of the avant-garde tending to excentrism, as well in literary theory as in theatre or cinema. From Sklovsky's ostratenie to FEKS' excentrism, the models of circus seems to inform the first Eisenstein's poetics of attraction. Nevertheless, Eisenstein plays on the recentralization to attain a final effect, that differentiates him from other avant-garde methods.

    Sánchez-Biosca, Vicente 1990 Montage and Spectator: Eisenstein and the Avant-Garde Semiotica 38 3/4 277 289

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