Deep Emotions, Poor Narratives: on the Iconography of the Retreat (La Retirada)
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Deep Emotions, Poor Narratives: on the Iconography of the Retreat (La Retirada)

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Deep Emotions, Poor Narratives: on the Iconography of the Retreat (La Retirada)

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Sánchez-Biosca, Vicente Perfil
This document is a artículoDate2011

Este documento está disponible también en : http://hdl.handle.net/10550/29121
The Spanish Civil War and the subsequent border crossing of the Republican population towards France in February 1939 generated a profusion of images of which only a few have become recognizable icons that represent the injustice performed by Franco's victorious army. However, most of these images have circulated without any historical context, thus becoming abstraction rather than historical realities. This article discusses the way the corpus of visual -mostly through film- representations of exile have been used and abused, how they have been 'migrating' from one media to another, and hence how they have changed their semantic value and have been use to support different ideological messages.

    Sánchez Biosca, Vicente 2011 Deep Emotions, Poor Narratives: on the Iconography of the Retreat, Marta Marín-Dòmine ed., Catalan Culture and the French Camps. Literary and Visual Representations Catalan Review XXV 167 180

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